Comics Explained: Harley Quinn

Harley Quinn is by far one of DC's most popular characters despite only debuting in the 1990s. Within that short amount of time she's managed to evolve from a one-off henchmen of the Joker, that didn't actually originate in the comics, to one of the major antiheroes of DC. As she is the star of Birds of Prey movie, as played by the fantastic Margot Robbie, it is the perfect time to discuss her character. We can't go over each of her appearances, in just thirty years she's appeared in DC a lot, so we'll be doing an overview of her instead.

Creation

Harley Quinn did not actually debut in the comics, instead she debuted on TV. It is not uncommon for characters to emerge outside of comics to become big inside the comics. Mr Freeze, Agent Coulson, X-23, Batgirl, Krypton, and kryptonite all made their debuts outside the comics. Harley Quinn debuted in the critically acclaimed Batman: The Animated Series in the episode 'Joker's Favor' as originally a walk-on role, and she was created by the show-creators Paul Dini and Bruce Timm. After watching Arleen Sorkin in the soap opera Days of Our Lives, and because Dini was friends with Sorkin, they modelled Harley off of Sorkin - she would even voice Harley in the series. The animated series had a spin-off comic in 1994 called The Batman Adventures: Mad Love which more or less has remained her origin story, but it took until 1999 for her to fully debut in the mainstream DC universe. As part of the No Man's Land event - when an earthquake isolates Gotham and the villains carve up the city between them - a tie-in graphic novel was released called Batman: Harley Quinn. This graphic novel mostly kept her origins from the animated series. 

Origins

Her origin story has had some tweaks thanks to the rebooting of the timelines after the Flashpoint event. Born in Brooklyn she had a long interest in criminal psychology, and she was a genius in regards to psychology. In the new timeline, explained in Suicide Squad Vol. 4, her interest was sparked by her teenage boyfriend committing a murder - to signify her interest in criminal psychology she stole a taxidermied beaver from her boyfriend's father. In the original timeline, a jealous professor spiked her boyfriend's drink with diluted Joker Venom sending him insane - not knowing this Harley thought this was due to the same mental problem which the Joker suffered from. As her boyfriend eventually was cured, she was determined to cure the Joker. In both timelines she began studying the Joker, but she did not expect to find how charming he could be. His split personalities allowed him to put on a charming, friendlier facade just for her - she enjoyed the nickname he gave her. As her name was Harleen Quinzel, he called her 'Harly Quinn' from harlequin. However, through all this, the Joker was slowly chipping away at her sanity and through this she fell in love with him. Eventually, she had been broken and secretly started freeing the Joker from his cell. Depending on the timeline she was either committed and later freed by the Joker (the original), or was kidnapped by the Joker and thrown in a chemical vat to replicate how the Joker came into being (the new timeline). Thus, Harley Quinn was born.

The Joker and Harley

Calling the Joker 'Mister J' or 'Puddin'' Harley became one of the most closest people to the Joker. Just like in the Animated Series it was not a true relationship as Harley envisioned it. Joker's callous nature meant that he regularly toyed with her emotions, and regularly saw her as expendable. In Batman #663, for example, the duo set out to kill all of the Joker's former henchmen, but it turned out that this was a set up for the 'punchline' - killing Harley herself. It was one of the examples of Harley fighting back against the Joker where she shot him in the shoulder in rage for his betrayal. In 2001, she got her own title called Harley Quinn where, tired of the Joker's abuse, she leaves to go on her own. Part of the story, which ran for 38 issues, saw her forming her own gang called the Quintets, although they too would also betray her. Meanwhile, she adopted two spotted hyenas called Bud and Lou, named after Abbott and Costello, and moved in with Poison Ivy. This would spark a long relationship between the two, which also happened in the Animated Series, and recently has blossomed into a romantic relationship. At the end of her series she handed herself into Arkham Asylum realising that she needs help. 

Throughout the 2000s she would have various appearances, some big and some small. For example, in Detective Comics #831 she could have had the chance of parole from Arkham, but she was kidnapped by the new Ventriloquist, Peyton Riley. The Ventriloquist was a gangster who appeared to act under the orders of his puppet Scarface, but he died and Peyton took over the role. Harley didn't want to work for her, especially as she disliked Peyton taking on the Ventriloquist's identity as the original cheered her up in Arkham, and teamed up with Batman to take her down. Eventually, she teamed up with Poison Ivy and Catwoman to form the Gotham Sirens, in the series Gotham City Sirens, where the trio agreed to live and fight together. Among their adventures included fighting the criminal mastermind, and childhood friend of Bruce Wayne, Hush; fighting a Joker impersonator; and Harley opting to spend Christmas with the Sirens after a 'horrible' time with her family. The team almost break up thanks to the events over issues 20 to 25. Wanting revenge for years of torment Harley breaks into Arkham to kill the Joker, but ends up joining with him to take over the asylum. While Catwoman teams up with Batman to defeat them, Poison Ivy attempts to kill the re-incarcerated Harley. Then she has a change of heart, wanting revenge on Catwoman for abandoning them for Batman. In the end Catwoman chose to let them escape instead of getting them arrested.

New 52 and Rebirth

The post-Flashpoint universe is referred to as the 'New 52', and was generally seen as a new start for DC. In this Harley's origins were slightly altered, but, due to Batman's popularity, most of the pre-Flashpoint timeline was kept intact. Harley was brought into the Suicide Squad - this was basically a supervillain team used by the government to go on suicide missions. It was part of her new run with Suicide Squad that her best known design comes from. However, the Joker still had an influence of her. When it was rumoured that the Joker was dead, and that his face had been cut off, she broke into the Gotham City Police Department to get the mask - in a particularly dark scene she straps the face onto a tied up Deadshot to have one last 'conversation'. It turned out the Joker was alive, and in Death of the Family he managed to coax her into pretending to be his original moniker of the Red Hood - it was then that she realised that she could never go back to him. In 2013 she get her own comic title again, called Harley Quinn, by Jimmy Palmiotti and Amanda Conner where she developed into an anti-hero, and started formally dating Poison Ivy. This was a well-received series - except for when DC ran the really stupid design competition where they asked fans to draw Harley in suicide scenarios. Naturally many artists and writers, especially Palmiotti and Conner, were infuriated by this. Regardless, the actual stories were well-received, something helped by their eccentric stories. In one, it turns out Harley has a crush on Bruce Wayne and wins a competition to go on a date with him - it quickly turns into a story where she teams up with Batman to fight supervillains. 

In 2016 DC released Rebirth to fix many of the problems caused by the recent rebooting of the universe. In the new Suicide Squad series she has gone to be more of a darker character and refuses to take the title of 'hero', but still has a carefree attitude. She even managed to lead a team of the Suicide Squad which also comprises of Enchantress, Killer Croc, Captain Boomerang, Katana, and Deadshot - it is not coincidence that this was also the roster of the Suicide Squad movie. Despite rejecting the title of a hero, she is still seen as a hero. In 2018 the Heroes in Crisis story revealed that the Justice League has the 'Sanctuary', basically a place where heroes and former villains can undergo therapy. Harley was invited, and one day all the patients were found murdered - only Harley Quinn and Booster Gold, with no memory of the event, were found alive. In a murder mystery, which ended up spanning time itself, Harley helped clear of name of the murders.

Thank you for reading and I hope you found it interesting. For future blog updates please see our Facebook or catch me on Twitter @LewisTwiby.

Comics Explained: Victor Zsasz

Batman over the years has had many twisted and sadistic villains over the years, and one good example of them is Victor Zsasz. Since his debut in 1992 Zsasz has never been close to one of Batman's main villains, but he has been in the background fairly often. Especially since his extremely brief appearance in the movie Batman Begins, he has steadily been appearing more and more. He regularly appeared in the hit video game series Batman:Arkham, has featured in the TV show Gotham, and is set to appear in the upcoming Birds of Prey movie. 

Origins

In the grand scheme of Batman's publication history Zsasz is a very recent addition - he first debuted in Batman: Shadow of the Bat #1 in 1992. Created by Alan Grant and Norm Breyfogle he was initially disturbing serial killer, as the main focus of the story was the ongoing renovations on Arkham Asylum and the new warden Jeremiah Arkham vowing to 'cure' a chained Batman. Zsasz was noticeable as his body was covered in scars forming tally marks - it was later revealed that each tally represented a person murdered by him. This was part of a story called The Last Arkham - it turned out that Zsasz had been manipulating Jeremiah Arkham, and had managed to bribe a contractor while the asylum was being restored to build a passage out of his cell. During the day, Zsasz would slowly chip away at Arkham's sanity, and at night he would leave to commit further murders. Batman and Commissioner Gordon made a plan getting Batman committed where he could search for clues on the inside. Although Zsasz was stopped, whenever a breakout happened his killing spree started again.

Batman Chronicles #3 later told how Victor Zsasz became who he was. Like Bruce Wayne he was born into a life of luxury. His owned his own international corporation, and received further funding from his incredibly wealthy parents. However, aged 25, they were killed driving him into a deep depression. Unlike Bruce Wayne, who became the Batman, Zsasz turned to gambling to take his mind off of his depression, but this became an addiction. He spent days upon days at the Iceberg Lounge - a club and casino owned by the Penguin. Seeing an easy mark the Penguin kept challenging to games which made Victor lose more and more of his money. Eventually, Zsasz lost everything, and stumbling away from the club decided that he was destined for suicide. While attempting to jump from Gotham Bridge, a desperate mugger came at him with a knife. Instead, Zsasz grabbed the weapon and used it to end the mugger's life. In that moment - seeing the life leave the eyes of the mugger - everything changed. He saw nothing and meaningless in the eyes of the mugger, and viewed his murder of the man as bringing him a 'gift'. He realised that he was the only actual human, everyone else were 'zombies' and he had to liberate them. As a sign that he had liberated someone, and to prove that he was the only real human, he carved a tally into his skin. Now, he commits murders and places the victims in real-life positions so they could be 'real' in death. After every kill he carved another tally onto himself. In later stories it was revealed that Zsasz would have a breakdown if he couldn't leave his mark or kill someone - often saying that he 'has to have the mark'/

Knightfall and No Man's Land

In Knightfall, to break Batman both mentally and physically Bane released all the inmates from Arkham Asylum - everyone from the Joker to the Mad Hatter were released. One of those to escape was Zsasz. He broke into an all-girls boarding school taking them all hostage. As they were the daughters of Gotham's elite he wanted to make a statement by 'liberating' such high-class zombies. Even when the girls tried to overpower him he remained strong - Zsasz is very strong once dislocating Batman's shoulder in Detective Comics #368. The two police officers who were sent in to get him were also killed by the serial killer. By this time Batman was becoming increasingly exhausted hunting down escaped villains, so the agile and strong Zsasz proved to be a match. The killer's taunts started driving Batman to the edge causing him to snap and savagely beat the killer after he suggested that they were the same. Kevin Smith in 2008 would explain this in Batman: Cacophony as Batman hates Zsasz the most for his outlook on people and life. It took detective Renee Montoya dragging Batman off of the killer to stop the beating.

In No Man's Land Gotham experienced an earthquake isolating it from the rest of the country, so the villains took over. Poison Ivy, Joker, Bane, and Mr. Freeze were just some of the villains to take over parts of Gotham. Zsasz similarly claimed an area to kill as he pleased. Being one serial killer facing off against super-powered individuals and gangs meant he was soon injured and sent to Dr. Leslie Thompkins's field hospital. Her good nature and care started shattering Zsasz's worldview. In Thompkins there was evidence that people were not simply empty vessels - they were hopeful and good. As he couldn't cope with this shift in perception he decided to ignore and run away from the field hospital.

With Other Villains

Part of Riddler's gang with Scarecrow, Deathstroke, Two-Face, Firefly, Killer Croc and Clayface

Zsasz has occasionally ran with other villains, but his nihilistic and homicidal view on humanity means that he is often kept at arm's length. After Batman was killed by Darkseid a new story called Battle for the Cowl began. During this a new Black Mask, later revealed to be Jeremiah Arkham, managed to hire Zsasz as one of the members of his new gang. With a large amount of money he let Zsasz purchase a warehouse which could host battles-to-the-death between Gotham's runaway or kidnapped child population. Children would be forced to fight one another with the provision that the last one standing could fight Zsasz and earn their freedom. This enraged Damian Wayne, Bruce's son and the new Robin, who became traumatised seeing the bodies of the dead children. Damian was not raised by Bruce so was very willing to kill, and he almost killed Zsasz by slashing him with a sword before kicking him into the river. He would survive and continue working with Black Mask, and would sometimes move away to continue killing by himself. In 2017 DC published the War of Jokes and Riddles story - told in flashback it tells a Gotham wide gang war between Joker and the Riddler. More and more villains ended up picking a side; Zsasz would end up joining Riddler's gang.

Thank you for reading. For other blog posts please see our Facebook or catch me on Twitter @LewisTwiby.

Eighty Years of Batman

In May 1939 the comic book Detective Comics in issue 27 released a new story featuring a new superhero. A superhero craze had begun in the 1930s, and all comic strips and radio shows were eager to introduce their own heroes. However, Detective Comics #27 would introduce perhaps the most important pop culture icons, never mind comic character, of all time: Batman. Superman is perhaps the only other comic book character to possibly rival Batman's importance in shaping pop culture. Over the last eighty years Batman has gone through many stories, took many forms, and has been adapted many times over. Today we'll look at Batman's creation, and some of the best stories to read to understand the Dark Knight.

Creation

After seeing the success of Superman, a new genre of comics emerged: the superhero comic. Already, DC's predecessor company had given Superman his own comic, but they wanted more. Editor Vin Sullivan had hired two new figures, Bob Kane and Bill Finger, to create a new hero for Detective Comics. As what was regular at the time, Kane and Finger were given great creative control over creating a new hero. Finger recalled that, 'Kane had an idea for a character called 'Batman,' and he'd like me to see the drawings'. Kane had got the idea of 'Batman' from watching the 1930 movie The Bat Whispers. A remake of the 1920 silent movie, The Bat, (the director of The Bat would remake his own movie in The Bat Whispers), featured a bat-themed thief who hid in the shadows. Kane's original design was very reminiscent of Superman, and a bat-wing cape based off of a design by Leonardo da Vinci. Finger would alter the design, being very inspired by fictional characters like Zorro, including giving Batman a cowl. In fact, Finger did most of the work in the creation of Batman - even down to choosing the name 'Bruce Wayne' - but for over fifty years he was largely forgotten. Kane was an aggressive self-promoter, and despite only writing the first issue, for a long time he was credited as Batman's sole 'creator'. It took until 2015 for Finger to be actually credited in a comic for creating Batman! In his debut most of what we recognise as Batman today was fairly limited - most of his backstory was created for the later Detective Comics #33 in November. Now that we've briefly gone over the creation of Batman we can look at some key stories.

Detective Comics #27 and #33

The best way to start with Batman is his first appearances. Little of what we recognise as Batman exists in these early days, but it is interesting to see how he has evolved over the years. His debut opens with a Commissioner Gordon discussing the newly emerged 'Bat-Man' to his socialite friend Bruce Wayne. The bored Wayne joins Gordon to a crime scene - chemical manufacturer Lambert had been killed and his son taken into custody. Bored, Wayne leaves, Lambert's associates start turning up dead, and Gordon is trying to track both the mysterious Bat-Man and the killers. It turns out, one of Lambert's business partners, Alfred Stryker, was planning to buy out the other partners, but grew tired of waiting and decided to kill them all off. Bat-Man confronted Stryker and knocked him into a vat of acid stating that, 'A fitting end for his kind'. The comic ends with Wayne laughing off Gordon's story, and for him to enter another room where, 'his door slowly opens and reveals its occupant... if the commissioner could see his young friend now... He'd be amazed to learn that he is the Bat-Man!'. Most of Batman's recognisable features were absent: no Alfred, the Batmobile is just a regular car, there's no Bat Cave, and even no Gotham! Batman, spelt 'Bat-Man', operated in New York instead. His 'no kill' rule, as you can probably already tell, wouldn't come around till the late-1940s - in his debut he even threw a man off of a building killing him!

Batman become the central character in Detective Comics, and in #33 he got his now famous origin story. The beginning of the comic quickly goes over the Dark Knight's origin. Returning home from the cinema via an alley the young Bruce and his parents, Thomas and Martha, were confronted by a mugger. When trying to steal Martha Wayne's pearls the mugger shot Thomas, and then shot Martha to silence her screams. Days later, the young Bruce makes a vow by candlelight, 'I swear by the spirits of my parents to avenge their deaths by spending the rest of my life warring on all criminals!'. He spent the rest of his life training, but he realised that 'Criminals are a superstitious cowardly lot, so my disguise must be able to strike terror into their hearts'. Just then, a bat flew through his window giving him his moniker. 

The Joker and the Cat

Batman was so popular that within the year he had gained a sidekick in #38, 'The Sensational character-find of 1940...Robin - the Boy Wonder!', and his own comic. In this comic, Batman #1, two of Batman's major characters debuted: the Joker and Catwoman. Half the stories featured a new villain, based off of Conrad Veidt's character in the German silent movie The Man who Laughs, who was a maniacal clown named the Joker. The Joker would announce his crimes, mostly murder and robbery, and leave his deceased victims with a devilish smile on their face through an unknown poison. At the end of the first story Batman managed to apprehend the Joker, but two days later, in the second story, the Joker escapes to continue his crime spree. It only ends when, during a trap, Batman and the Joker clash where the Joker stabbed himself in the chest, narrowly surviving. Originally, it was intended for the Joker to die - a last minute change of heart by Bill Finger meant that comics' most classic villain could become a cultural icon. Meanwhile, another story, called 'The Cat', dealing with a mysterious woman attempting to steal a $500,000 emerald from a wealthy socialite. Batman managed to capture the Cat, but smitten, he lets her go. Thus started one of the most endearing will-they/won't-they romances in comic history.

The Killing Joke - the Most Controversial Batman Comic

From the mind of Alan Moore, the author of Watchmen and V for Vendetta, and drawn by Brian Bolland, 1988's The Killing Joke remains one of the most controversial Batman comics. Alan Moore has even stated that he regrets writing it. The story is split into two. The first, deals with the origins of the Joker. A loving father-to-be and husband an unnamed failure of a stand-up was on the brink of destitution. Desperate to give his emerging family a better life he agreed to take part in an extreme robbery - dressed as a villain 'the Red Hood' he was to distract any police who arrived on the scene. They would assume that he was the mastermind, not the other gang members. However, the day of the robbery his wife had a deadly fall, and the gang made him push on with the robbery regardless. Naturally the robbery went wrong. The police shot the gang members, and the scared Red Hood fell into a vat of chemicals upon seeing Batman. The chemicals bleached his skin and left him with a devilish smile. With all that happened that day it drove him insane, and now the Joker wanted to show that 'one bad day' could drive anyone insane. Arriving at the home of Jim Gordon he knocked out the commissioner and shot Barbara Gordon, who at the time was Batgirl, in the spine paralysing her. Batman tracks the Joker to a carnival where he has had Gordon beaten, tortured, stripped, and forced to look at photos of his abused and shot daughter. However, Gordon was not broken as Joker intended, and the comic ends with Batman finally laughing at one of Joker's jokes. Grant Morrison has suggested that Batman may have even killed the Joker at the end - the last panel makes reference to the joke where one man is implied to die. Although praised for the story and art it has earned controversy for the treatment of Barbara Gordon. She suffers disproportionately compared to the other characters, her abuse became a plot tool, and she remained paralysed for decades. The only redeeming part from this is that Barbara Gordon became a major disabled superhero in the form of Oracle.

Batman: White Knight

This story by Sean Murphy finished just last year, and I would highly recommend getting your hands on it. Set in one of DC's many alternate realities, and heavily inspired by the Tim Burton Batman movies, it features a broken and harsher Batman alienating himself from his allies. Publicly force feeding the Joker pills that the clown said could cure him it transpired that the pills actually worked. A sane Joker, called Jack Napier, planned to run for office and bring Batman to justice for aggressive violence, and we find out there are two Harley Quinns. The original left the Joker thanks to the events of Death in the Family but returned when her love seemed sane. However, Joker's rehabilitation may not be all that it seems, Alfred is close to death, and the second Harley becomes a new Joker. A must read.

A Death in the Family

This story was released the same year as The Killing Joke, but unlike Moore's story it was very much intended to be canon. The second Robin, Jason Todd, had become fairly disliked by fans who saw him as overly moody and whiny - quite ironic considering the later introduction of Damien Wayne as Robin. For 50 cents, DC allowed fans to ring in and answer a simply question: should Jason die? Quite possibly some fans rang many times to rig the competition, but regardless DC got an answer - fans honestly decided to kill a child. In A Death in the Family Jason finally reunited with his mother, only for the Joker to capture them, and he savagely beat Jason with a crowbar. Before Batman could rescue them Joker detonated a bomb killing Robin. The second half went down hill extremely quickly - including an overtly racist plot point towards Arabs and Iranians (a topic I'm hoping to write about one day). One of the most iconic scenes in comics came from the story - Batman holding the broken body of Jason Todd. Later adaptations changed the story to omit the racist ending, and Jason Todd would later be resurrected as the violent vigilante Red Hood.

The Dark Knights Returns

This story is perhaps the most famous comics of all time, and inspired Tim Burton's adaptations, and has been partially adapted into an episode of The Batman, The Dark Knight Rises, and Batman v. Superman, as well as having its own animated adaptation. Expertly written by Frank Miller, and beautifully drawn by Klaus Janson and Lynn Varley, it depicts a bleak and very violent version of Batman. A retired Batman, depressed from the death of Jason Todd (actually written years before A Death in the Family) and being alienated from Dick Grayson, Bruce Wayne comes out of retirement as Gotham's crime rate explodes. Satirising everything from media sensationalism to Ronald Reagan's Cold War policies a bitter Wayne has to contend with a cannibalistic gang called the Mutants, murderous vigilantes acting in his own name, a murderous returned Joker, and Superman acting on Reagan's orders. It also introduced my favourite version of Robin, and one of the few female Robins, who was inspired by Batman: Carrie Kelley. Every panel of this story has become iconic and has inspired future gritty reboots of other heroes, however, none can compete with this one.

Knightfall

This was also partially adapted into The Dark Knight Rises, Knightfall is a good story, albeit written for the wrong reasons. In the 1990s many comic companies, including DC, almost went bankrupt, and DC hoped to boost sales through big stories. In January 1993 Superman was killed, and in May we got Knightfall. In this story, a new villain named Bane plans to both mentally and physically break Batman. Breaking all of the inmates from Arkham Asylum he lets Batman fight them all, slowly exhausting himself as he went, until Bane finally fought him. Bane then broke Batman's back over his knee paralysing him. Unfortunately, DC ruined a good story. The new Batman was the textbook definition of 'edginess' and was hated. DC resurrected Superman and had Bruce Wayne heal from his paralysis to get more people reading - sadly killing permanency in comics with it.

Batman: Year One

My second favourite Batman comic Year One served as the comic which inspired Batman Begins. Written by Frank Miller, and illustrated by David Mazzuchelli, it depicts a revamped origin for Batman. Jim Gordon tries to fight blatant and rampant corruption in the GCPD, Selina Kyle begins a life of crime, and Bruce Wayne returns to Gotham to begin his career as Batman. There are none of Batman's traditional Rouge's Gallery - no Penguin, Scarecrow, or Riddler. Two-Face is just the normal Harvey Dent, and only at the end of the comic is the Joker mentioned. The villains are instead the GCPD and Gotham's mob. A noir-esque story, realistic, and a great introduction.

The Long Halloween

I've saved the best for last...it's also perhaps the longest story on this list. Written by Jeph Loeb it is set early on in Batman's career. His villains from Year One are angered by the increase in masked or themed criminals like the Penguin, Joker, and Poison Ivy who are edging them out of existence. At a Halloween party a major mobster is killed and a jack-o-lantern is left at the scene. Batman, Gordon, and Harvey Dent have to find the killer - the 'Holiday Killer' as they kill a major member of the mob on holidays - while also dealing with the mob itself, and the rise of the supervillains. At the same time, Harvey's mental health is failing thanks to exhaustion, and his marriage is falling apart. It ends with a new supervillain on the scene... 

Thank you for reading. These are just some of the stories I would recommend reading if you want to become acquainted with the Dark Knight. I haven't mentioned many other fantastic stories including the creepy Court of Owls, the alternate reality steampunk Gotham by Gaslight, and one of my all-time favourite comics, Grant Morrison's Arkham Asylum. Batman for eighty years has given comic book fans story after story to love, and has brought himself fully into popular culture. How many other comic heroes can claim to have such a cultural presence than Batman? Only perhaps Superman and Spider-Man. Everyone not acquainted with comics know many of the key details and aspects of his comics. To another eighty years!

Thank you for reading and I hope you found it interesting. For future blog updates please see our Facebook or catch me on Twitter @LewisTwiby. 

Review: Suicide Squad (2016)

Warning: Spoilers!

Suicide Squad

Suicide Squad is the newest edition to the DCEU and the second movie in this franchise to be released this year, the other being Batman v. Superman. It depicts a group of supervillains having to work for the government who wishes to take down a paranormal entity which has attacked a city. Throughout this review I will reference another film, Batman: Assault on Arkham, as that is another Suicide Squad movie, although, it is set in the Arkham universe rather than the DCEU. This review contains spoilers but please skip to the conclusion for my final verdict, and special for this review I have a but of a rant.

Plot, Acting and Pacing

Amanda Waller, (Viola Davis), has set up a team of supervillains to fight a possible metahuman, (superpowered), threat under the command of Rick Flag, (Joel Kinnaman). These villains include June Moone, (Cara Delevingne) who is possessed by an entity causing her to become the Enchantress, expert marksman Deadshot, (Will Smith), the insane Harley Quinn, (Margot Robbie), Captain Boomerang, (Jai Courtney), the pyromancer El Diablo, (Jay Hernandez), Killer Croc, (Adewale Akinnuoye-Abbaje), and Rick Flag's friend Katana, (Karen Fukuhara), who wields a katana which absorbs the souls of those it kills. It goes wrong when the entity possesses June Moone again causing her to take over Midway City, and is preparing to destroy the world. As the Suicide Squad is sent in to stop her, with another mission to rescue an important person, the Joker, (Jared Leto), goes to find his lover, Harley Quinn, and take her from the Squad. I will give the movie credit for embracing the source material. So far the DCEU has tried too hard to ground itself in reality, but Suicide Squad has done a good job in doing this. I have to give David Ayer much credit for doing this, 

The premise of the plot is very good. In fact it bears some similarities to Assault on Arkham with the Squad having to go to a dangerous place and retrieve someone only to find a twist, as well as being confronted by the Joker. Although I did prefer the plot to Assault on Arkham I did enjoy the plot to Suicide Squad. I was worried about pacing, something which really let Batman v. Superman down, but the film was well paced making it more enjoyable. However, I do have some gripes. Before the final act the reason why the Squad chooses to join Rick Flag seems very forced which really hindered the movie. Not only this, but I felt that Killer Croc, Katana, and to an extent Captain Boomerang were often sidelined which is a shame seen as Killer Croc is one of my favorite Batman villains. Katana only had a few lines in the film. It was a shame seeing these characters sidelined. Even the Joker was sidelined with around 90% of what was filmed being cut from the movie. Similarly, much of the scenes depicting Killer Croc's backstory was cut which again was a disappointment. It is especially disappointing considering that Akinnuoye-Abbaje spent so much time watching the DCAU, reading about cannibalism, and watched crocodiles to prepare for the role. The cuts even created a distorted view of Harley's and the Joker's relationship: the cuts caused their relationship to seem really loving whereas originally it was true to the comics, (and the DC Animated Universe where Harley first appeared), where they were in an abusive relationship. Already I've seen internet posts where people who have yet to read the comics or watch the DCAU state that Harley and the Joker were in a perfect, albeit homicidal relationship, which is far from the truth. 

Now to the acting. Viola Davis as Amanda Waller was really good; she perfectly captures the character's ruthlessness and authoritarianism which made the performance really good. With the rest of the cast I would say that the acting was good. I feared that the movie would neglect all the Squad bar Will Smith and Margot Robbie, but it didn't which gave the cast more time with their performances. Each actor worked well with one another which created a good team dynamic between the cast. Even the marginalized characters, like Croc, were given good performances so I feel the film could have been even better if they had not cut so many scenes. Now to Jared Leto. It had the makings of a good performance but I could not tell if that was due to Leto himself or due to him not being in the movie for very long, preventing him from giving a better performance. Again, if they release an unedited version of the movie we may be able to see how good a performance it was. Overall, Mark Hamill and Heath Ledger were the better Jokers, whether Leto can top Jack Nicholson and Caesar Romero that has yet to be seen. Clara Delevingne gave a mixed performance, but it was a relatively good one considering she is a relatively new actor compared to the other main cast. As June Moone, and at times the Enchantress, she was really good, but when she goes into the Central American deity mode with the voice over her performance is not as good, and the strange dance she had to do was very offputting. It looked more comical than intimidating. I must say though that Margot Robbie nailed Harley Quinn on the head; definitely one of the best live-action comic book performances that I have seen.

Effects

I would say the effects are a mixed bag. At times the CGI was good, such as the close up fighting scenes, while at other times it was not as good. Specifically, when it's showing Enchantress and her brother around the vortex. It seemed to resemble graphics from a video game five years ago rather than a big budget movie. I did not notice it but my friend said he saw the Enchantress' body being pixelated in the corner of the screen at one point. However, I did like the use of practical effects, especially Killer Croc's makeup. It looked very realistic and made the movie better as a result.

Easter Eggs and Trivia

David Ayer has truly honored the source material and has had fun with it. Throughout Suicide Squad there are many easter eggs and trivia to be found. Most of the movie takes place in Midway City where Hawkgirl and Hawkman sometimes protect, and the prison for metahumans, Belle Reve, appears in it's traditional place in Louisiana. Killer Croc speaks in a Cajun accent just like in the comics, and he mentions how he's beautiful. Originally there was going to be a scene showing his backstory which is directly from the comics. Slipknot's inclusion to be killed off immediately is reminiscent to KGBeast's inclusion just to be immediately killed off in Assault on Arkham. Batman appears three times and he is more like he is in the comics as he doesn't go out of his way to kill. The Flash also appears and takes down Captain Boomerang, and I have heard there was going to be a scene where Slipknot gets taken down by Wonder Woman but it wasn't in the final edit. I have a feeling this is due to the fact that Slipknot was only included to be killed off so this was not as needed as much as Deadshot, Harley Quinn and Boomerang. Harley Quinn at one point has a mallet which she used in the DCAU, but throughout the movie she uses a baseball bat which she uses in the Arkham games. Briefly her classic costume from the DCAU is seen and there is even a shot with the Joker replicating a image made by Alex Ross.

The image

Harley also has puddin' tattooed on her as well as a piece of jewelry saying the same thing. She is also seen doing gymnastics several times in reference to her formerly being a gymnast before becoming a psychiatrist. The Joker also has several tattoos with meanings. For one, David Ayer has said that Batman knocked out the Joker's teeth after he killed Robin leading to him getting gold braces and tattooing 'Damaged' on his head. Although, very briefly Harley's file hints that she may have actually killed Robin. The club scene is reminiscent to a scene in Joker by Brian Azzarello where the Joker murders a club owner for making Harley be a stripper. In the comic it is more violent with him skinning the owner while in the film he is just shot. However, Jonny Frost who appears in that graphic novel appears in the movie. There is so much more but I shall leave it at that.

Rant Time

I try to avoid ranting on my blog. I wanted to rant about the British EU referendum result, I wanted to rant about copyright on YouTube, I wanted to rant about how you were misandrist if you said positive things about the new Ghostbusters or if you said anything negative you were a misogynist, I wanted to rant about whitewashing with Dr Strange, Ghost in the Shell and Gods of Egypt. I avoid ranting because I do not wish to upset people. A debate or a calm review I feel is much less polarizing than a rant and I do not want to polarize the people who read this blog. However, I cannot keep this rant off anymore. This rant will cover three topics: harsh critics and Marvel comparisons, studio interference, and 'it was made for the fans'/fan wars.

First off, critics were way too harsh on both this film and Batman v. Superman. This film did not deserve 26% on Rotten Tomatoes or 40 on Metacritic. Of course movie critics occasionally are overly harsh or overly praiseworthy on certain movies; it is understandable because they have to virtually watch every movie released. Through this they will see recurring things in movies, (just think how many times 'I should have killed you when I had the chance' appears in movies), which they eventually get tired of and when a movie does something new it may seem like a breath of fresh air. This mindset is perfectly fine in my opinion. The DCEU is unfortunate to come about after the MCU grew big. The MCU is not perfect by any means, just look at the Thor movies and Iron Man 2 and 3, but when it gets it right it does it phenomenally. Both Avengers and Guardians of the Galaxy are on the IMDb Top 250 Movies list. As a result the MCU has set an expectation which critics are looking for, unfairly, which they expect Sony, Fox, and now Warner Bros. to match in quality and tone. Of course Sony's and, to an extent, Fox's attempts have been disastrous. X-Men: Apocalypse, Batman v. Superman and now Suicide Squad were not up to the quality of some MCU movies, and as they are different in tone to the MCU this has been two strikes against them. As a result they've been unfairly degraded. Was Suicide Squad, Batman v. Superman and X-Men: Apocalypse good? Squad I believe is a yes, BvS was mediocre and I have yet to see X-Men so I cannot comment. Are they the worst comic book movies ever? Not by any means. There's all three of the awful Fantastic Four movies, Batman and Robin, Batman Forever and X-Men: The Last Stand were all worse, in my opinion, to BvS and Squad. I even feel Iron Man 3 was worse than BvS. I feel critics have to realize that if a comic book movie is less than stellar the reason for that has nothing to do with comparisons to the style of the MCU but rather other factors, and as a result shouldn't been overly harsh for that reason. An example I want to give is Dredd. Dredd is one of my favorite comic book movies based on the Judge Dredd comics; published by Rebellion Developments. It was well acted, honored the source materials, had good set-design and effects, and had fantastic fight scenes. Critics gave it positive reviews but not many. There were not any negative reviews that I'm aware of but the reason why it got so little reviews was because it was overlooked. The MCU had just gotten big and The Dark Knight Rises had shown DC was awesome again. Critics and audiences forgot this little gem to focus instead on Marvel and DC instead. Hellboy as well has been criminally overlooked in my opinion. Before we rush to DC's defense we have to remember that other comic book companies have been neglected.

My second rant is about the studio. BvS was much better unedited and most of my issues with Squad could have been rectified by keeping the deleted scenes in. Of course it is natural for a studio to have some interference; they have to make money and need to protect their interest. The studio interfered with Tim Burton's Batman by keeping Burton on a leash which produced one of the greatest comic book movies of all times. When they let him off the leash, and later Joel Schumacher, the next Batman movies were not good at all. Warner Bros. should have looked at what Fox did when they intervened in Fantastic Four and produced not only one of the worst comic book movies, but one of the worst movies of all time. Studios parade round the phrase 'it was made for the fans' but they should know fans will sit and watch a four hour comic book movie if they want this to be true. Comic book fans dress as their favorite characters, nitpick individual scenes in movies and debate trivial matters; if we do all that we will happily watch a film for three and a half hours. With the mainstream audiences they too will watch a nerdy film if it's hours long. The Lord of the Rings is one of the most critically acclaimed series of all time and not-geek audiences were more than happy to watch it. Of course BvS or Squad didn't have to sweep the Oscars but if they had made it good then the public would watch it. To be honest the studio didn't need to interfere with BvS at all: a movie with Batman and Superman in the title practically sells itself. If the studio was going to interfere it should have been to not give so much creative control to Zack Snyder. Snyder makes very good looking movies; one thing Watchmen, 300, BvS and Sucker Punch all had were they were good looking. However, it is like a fancy meal in a 5-star restaurant: nice to look at but not filling. If David S. Goyer was given more control then this could improve the DCEU.

Now to my final rant: the Fanboy Wars and 'it was made for the fans'. I hate all this Marvel v. DC. BvS and now Squad has caused DC fanboys to claim that they are hard done by, the MCU is for little kids and has brainwashed critics into thinking that all comic book movies should be like the MCU. Marvel fanboys meanwhile have been saying that DC is a shambles, it's properties are terrible and they cannot do anything right. In response DC fanboys say that Marvel cannot create good characters, Marvel fanboys say Superman and other characters are boring, and the fights continue. I will admit I am a bigger fan of Marvel than DC but that is only because it was Marvel which got me into comics. I still love DC, Image, Dark Horse etc. The Fanboy Wars are absurd. The MCU has produced both good films, (Iron Man, Avengers, Guardians), and bad films, (Thor, Iron Man 2 and 3, Incredible Hulk) while DC has produced one of the greatest films of all times, The Dark Knight. Very rarely though has any of these recent Fanboy Wars mentioned the comics. Nor has they defended the overlooked comic books:it was fans of all comics which got a Dredd sequel to be put into the works, none have commented on the possibility of a new Crow or Spawn movie, Kingsmen went overlooked by both until it was released, and none went to defend the appalling Cowboys and Aliens. Now to my other major point: 'it's made for the fans' is not an excuse to making a less than good movie. The Killing Joke, Dredd, Under the Red Hood and Dark Knight Returns were all made for fans and were good. BvS and Squad were clearly made for a wider audience, as well as for fans, and because critics didn't like it studios tried to pit fans against studios so their movie had some defense. It worked as well. I am tired though of being expected to rush to defend a not very good movie, Squad was somewhat good though, just because I'm a comic book fan. I hate it when people say 'it's just a kid's film' to defend a bad kid's movie or 'it's just a goofy movie' to defend films like Nine Lives and 'it's for the fans' is no exception. I am sick of this being a defense and I am sick of being expected to become a white knight for a poor comic book movie. 

Well that's my rant.

Conclusion

For good acting, some good effects, honoring the source material and a relatively good story, but thanks to cuts and poor CGI at times I will give Suicide Squad a 6.8/10. I would consider it an alright movie, could have been better but could have been worse. Regardless if you liked Suicide Squad or not I would strongly advise watching Assault on Arkham: it's better than Suicide Squad and a good comic book movie overall.